In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is th...(展开全部)

In his first novel, A Happy Death, written when he was in his early twenties and retrieved from his private papers following his death in I960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is th...(展开全部)

[应版权方要求,该小说已经下架,请大家支持正版阅读~]我的名字叫紫藤。就叫我死土吧。 现今十九岁。没有负债，没有失恋，也没有受过虐待，总之过得很开心。 但是我想死。因为我已经是“完成品”。那么，到底怎样死呢？ 在想这个问题的时候，遇到了最愉快最可靠的两个人。 『自杀屋黄泉路』和『杀人魔...

我把我妈杀了

In this family, everyone is keeping secrets--especially the dead. Brecken Hill in upstate New York is an expensive place to live. You have to be rich to have a house there. And they don't come much richer than Fred and Sheila Mercer. But even all their money can't protect them when a killer comes to call. The Mercers are brutally murdered the night after an Easter Dinner with t...(展开全部)

In this family, everyone is keeping secrets--especially the dead. Brecken Hill in upstate New York is an expensive place to live. You have to be rich to have a house there. And they don't come much richer than Fred and Sheila Mercer. But even all their money can't protect them when a killer comes to call. The Mercers are brutally murdered the night after an Easter Dinner with t...(展开全部)

"Life is made of moments, small pieces of silver amidst long stretches of tedium. It would be wonderful if they came to us unsummoned, but particularly in lives as busy as the ones most of us lead now, that won't happen. We have to teach ourselves now to live, really live...to love the journey, not the destination." In this treasure of a book, Anna Quindlen, the bestselling no...(展开全部)

For almost three decades, Gayatri Chakravorty Spivak has been ignoring the standardized "rules" of the academy and trespassing across disciplinary boundaries. Today she remains one of the foremost figures in the study of world literature and its cultural consequences. In this new book she declares the death of comparative literature as we know it and sounds an urgent call for a...(展开全部)